Complete selected discography of Madonna
|
|
| Die Another Day (Music from the Motion Picture) [ENHANCED] |
|
James Bond has never been cooler - and neither has a soundtrack in the action hero's series of blockbuster films. The title is track by Madonna, who has a cameo in the movie. Along with a score by one-time Bjork collaborator David Arnold, it also features the classic James Bond Theme remixed by cutting edge dance master Paul Oakenfold. The CD is also enhanced with Madonna's 'Die Another Day' music video, the making of the video segment, Bond bonus extras, women of Bond gallery and more. Warner Bros. 2002.
|
| The Immaculate Collection |
|
The naughtily titled Immaculate Collection culls 15 of Madonna's Top 10 singles from 1984 to mid-'90, plus 2 new ones that continued the run (the dirty, trunk-bumping funk of "Justify My Love"--a Lenny Kravitz production that justifies his entire career--and the danceable desperation of "Rescue Me"). Rooted in disco and classic AM pop from girl groups and ABBA to Strawberry Alarm Clock, Madonna made savvy, touching music throughout her first golden era. These tracks retain their sonic and historical significance while, like "She Loves You" or "Rocket Man," still brightening any space they're being played in. Far more than just a wise, irreverent image-maker--like the Beatles or Elton, come to think of it--Madonna during these years was the gift that kept on giving, forever fresh, sexy, hooky, and joyously sharp.
|
| GHV2 |
|
So there's this pop singer... you may have heard of her? Madonna, she's called, and the word is that she's basically all image; she went through a put-your-hands-all-over-my-body phase, then she got spiritual, and then she started wearing cowboy hats. Between all the gossip columns and photo shoots, though, she's left an unmatched trail of devastatingly wonderful singles--roaring dance records, tender ballads, and a curious combination of the two that is her personal specialty ("Secret" and "Ray of Light"). How many artists' best-of-the-second-decade collections crowd out legitimate hits? ("American Pie," anyone? "This Used to Be My Playground"?) Unlike 1990's Immaculate Collection, GHV2 doesn't have any new material; "Don't Cry for Me, Argentina," from Evita, and the glorious '60s pastiche "Beautiful Stranger" are the only songs that haven't appeared on a Madonna album before. But it compresses her past 10 years worth of records into an hour of one peak after another.
|
| Something to Remember |
|
It didn't take the postmotherhood Ray of Light to prove that Madonna is a big softie; this collection of ballads and slow jams had already done that. Somewhat confused in intention--the scalding ache of "Oh Father," a 1989 song for her own dad, is shoved between the sex of "Rain" and a version of Marvin Gaye's "I Want You"--this is nonetheless a highly listenable album for those who dig Madonna for her music as much as for her cultural significance.
|
| Music |
|
Amazon.com's Best of 2000
|
| Ray of Light |
|
Never underestimate Madonna's power of persuasion: By nearly all critical accounts, Ray of Light, Madonna's first album of new material since 1994's Bedtime Stories, and her first since motherhood, is her richest, most accomplished record yet. While Ray of Light is being tagged as Madonna's big leap into electronica, it's important to note two things: First, her music has always had close ties to dance culture, and, second, her collaborator William Orbit is no Chemical Brother. Though it has all the latest blips, bleeps, and crackles electronica has to offer, Ray of Light is still largely an adult album, completely within Madonna's realm. Still, Orbit's tasteful sonic constructions provide Madonna with her most adventurous, hippest musical backdrop ever. What's more, the arrangements and production are understated enough to highlight an even bigger development: Fresh from singing lessons on the Evita set, Madonna's vocal range, depth, and clarity have never been stronger. But larger pipes don't necessarily make for deeper, truer music. Never a master lyricist, Madonna's words have worked best when they've practically been slogans ("Vogue," "Express Yourself"). This time she goes for more emotional depth, and even tries her hand at ethno-techno-mysticism ("Shanti/Ashtangi"). She largely stumbles, however. The tone conveyed on songs like "Nothing Really Matters" is a self-centered pat on the back that belies her claim to a newfound altruism. It's enough to make you wonder, now that Madonna's given up being our material girl, if maybe she's set her sights on becoming the center of our spiritual world too.
|
| Like A Virgin [Remastered] |
|
|
| Madonna [ORIGINAL RECORDING REMASTERED] |
|
|
| Bedtime Stories |
|
|
